Mother of Pearl Sutra – 14 Matters of the Heart

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Mother of pearl fascinates me.  Forming a topography as idiosyncratic as the ridges in a finger print, crystal aragonite platelets accumulate in layers on the inner surface of mollusks, entombing parasites and cushioning the animal’s soft body.  Micron by micron, the crystals combine their refractive power into a zillion infinitesimally tiny prisms, creating an ever changing iridescence that we see only when the mollusk surrenders to the crack of hungry teeth or knives.  Even the scientific description of the process is poetic.

This dual purpose mechanism, both care-taking and defensive, is so human.  It mimics way we build the inner story we tell about ourselves, seen by others in its infinite refractions, and the way we live with how we love.

When I looked up the synonym “nacre,” one thing led to another, and brought me to this poem by Llorca.

The Faithless Wife

So I took her to the river
believing she was a maiden,
but she already had a husband.
It was on St. James night
and almost as if I was obliged to.
The lanterns went out
and the crickets lighted up.
In the farthest street corners
I touched her sleeping breasts
and they opened to me suddenly
like spikes of hyacinth.
The starch of her petticoat
sounded in my ears
like a piece of silk
rent by ten knives.
Without silver light on their foliage
the trees had grown larger
and a horizon of dogs
barked very far from the river.

Past the blackberries,
the reeds and the hawthorne
underneath her cluster of hair
I made a hollow in the earth
I took off my tie,
she too off her dress.
I, my belt with the revolver,
She, her four bodices.
Nor nard nor mother-o’-pearl
have skin so fine,
nor does glass with silver
shine with such brilliance.
Her thighs slipped away from me
like startled fish,
half full of fire,
half full of cold.
That night I ran
on the best of roads
mounted on a nacre mare
without bridle stirrups.

As a man, I won’t repeat
the things she said to me.
The light of understanding
has made me more discreet.
Smeared with sand and kisses
I took her away from the river.
The swords of the lilies
battled with the air.

I behaved like what I am,
like a proper gypsy.
I gave her a large sewing basket,
of straw-colored satin,
but I did not fall in love
for although she had a husband
she told me she was a maiden
when I took her to the river.

The Opening

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Christmas Day 2013.

I’m still thinking about this moment with someplace I never saw before.

Now you are thinking about it, too.  I like that.  We can see it together.

Nighty night, dears.

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On A Sunny Blue

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Trees like to tangle up together, in the sky and on the earth.   The form emerges later,  making sense at the end.  In the beginning, you might have only a few twigs and a desire for home.  Eventually, either you unwind, or the trees do – and then you start again.

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Right From Life

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As soon as I sit down to write, whatever might be worth saying wriggles away from me like mercury set loose in a dish.  Peripheral vision relaxes into words shyly; nothing kills the mood like staring straight at it.  Which is  funny, because in a way the same thing happens with pictures.  I see the thing before I see it, but then the imaginary vision has to agree to come out of the shadows and be found.

You know what I am talking about, don’t you?

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Brrrrrr…..It’s Winter

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I guess I felt like hibernating.

It’s all very “chestnuts roasting and how about some cocoa” until the tire valves contract enough to deflate your ride, and the daytime temperatures are warmer in Alaska than Madison, WI, and even the squirrels take a day off from rummaging in the banquet that is the dumpster at the end of my parking lot.  When the meteorologists throw around the word “arctic” with scientific accuracy, nobody with any sense does much of anything.  And it is not fun.

Frosty branches like these don’t form in an arctic blast.  It took a succulent winter humidity, clinging to all the branches and a sudden, but not too deep cooling.  The wind, on the other hand, can be as cold as it wants, whenever it wants, and no one and nothing can stop it.

Anyway, I missed you, and spring is almost near.

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Booked For Christmas – The Nights Before Christmas

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Editions of The Night Before Christmas, Clockwise from Top: Illustrated by Gyo Fujikawa (and my favorite contemporary version);  illustrated by Arthur Rackham. Weathervane Publishing, 1976, Illustrated by Leonard Weisgard, Grosset & Dunlap, 1949; illustrated by Corinn Malvern, Golden Press, 1949; illustrated by Zilla Lesko, Whitman Publishing 1943; illustrated by Catherine Barnes, Whitman Publishing, 1960.

p.s. for even more nights before christmas, go here!

Christmas Eve was always my favorite part of the Christmas holiday. As a little girl, I loved to imagine how the tree would look Christmas morning, ringed with packages covered in patterns of reindeer, bells, snowflakes, or even simple stripes.  My mother was a big believer in old-fashioned Christmas, so no presents appeared until St. Nick had done his work on Christmas Eve.

Later on, swarmed with desperate customers buying books or Snoopys (depending on the store I worked at), I felt happy and excited to assist in saving Christmas from the disaster of forgotten or insufficient gifts.  Especially when I worked at the bookstore, I was always confident that together, we would find the cure, an unexpected gift that would live on as Christmas Treasure.

I never knew there was such a thing as fearing Christmas until I got older still, and grew close to someone who felt tested, every single year, by the spectre of choosing the wrong gift.  To avoid Christmas failure, my friend delayed and delayed until of course, nothing right could be found.  His Christmas Eve was Inadequacy Anticipated, a painful trial indeed.  Eventually my excitement tempered somewhat, too, seeing that it would never really be fun for us to fill packages with our secret knowledge of what the other wanted, and set them around a Christmas tree.

But the Hope of Christmas Eve has never really left me.  I don’t know why I believe in its magic anymore, but I do.  The irrational expectation that something real can happen, beyond what I do myself, lingers like a toothache.  I would be happier, I know, if I could have it pulled from my head – but it is my own tooth, and I love it so.  I can’t quite bear to say I am better off without it, regardless of how it hurts.

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Booked for Christmas – Christmas Place

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Top to bottom:  Favorite Christmas Songs and Stories, Illustrated  by Dellwyn Cunningham, Grosset & Dunlap 1953.  Chrismas in the Bell Shop, Hallmark Book circa 1962.  Angels & Berries & Candy Canes, Hilary Knight.  Harper & Row, 1953.  Christmas is a Time of Giving, Joan Walsh Anglund.  Harcourt, Brace & World, 1961.

Apparently Dellwyn Cunningham was the originator of what we have come to know as the turducken. I prefer his Churkendoose.  It’s a funnier word.

A little, little vintage book of Hilary Knight’s from the  Christmas Nutshell Library stands in for the rawwther disappointing modern re-issue of Eloise at Christmastime.  It’s just too shiny for words, I simply can’t have it,  and wouldn’t $60 for a vintage copy be better spent on rhinestone tennis shoes for Skipperdee, my goodness, and sooooo many plum puddings for Nanny, fa la la la la?

Here is a poem.  I made it up myself.  It is a little Joan Walsh Anglund, if I do say so myself.

Christmas is some place
we want to go –
where we eat off good china
and make things
out of paper doilies,
and someone thinks
we are special enough
to wrap in bright paper
and tie up in a bow, and
under the tree
we find our delight
is the gift others
were hoping to see.

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Booked for Christmas – Helpfulness Hints

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Top:  Farm Journal Christmas Book 1965 & 1968 Center:  A Child’s Christmas Cookbook, commissioned by the Denver Art Museum, written by Betty Chancellor, designed by Kay Obering, Illustrations by Thomas Nast.  Evergreen Press, Walnut Creek, CA.  Bottom: Things to Make and Do for Christmas, by Ellen Weiss.  Franklin Watts, Inc. 1980.  Christmas Cookie Cookbook, circa 1975.

A Child’s Christmas Cookbook is my favorite cookbook, ever.  It’s as though Miss Manner’s wrote a recipe book explaining polite cooking (and behavior) for rambunctious people, small and large.  Are the following Ideas Helpful?  You be the Judge.  Betty Chancellor thinks so.  What, you say, her tongue is in her cheek?  That wag!  Here are just a few suggestions for ways children can be ever so helpful at Christmas (stop running up and down the stairs, chief among them):

Santa’s Snack – Make a sturdy sandwich of rye bread, cheese and ham, or whatever Mother has in the house.  Christmas Cookies for dessert.  Maybe you’d better make two sandwiches.

When Mother Feels Brave – A taffy pull, what else?  First, pull yourself together.  Smocks or aprons might help.

A Winter Picnic – When it’s cold and snowy outside, isn’t it nice by the fire?  Could you plan a picnic around the hearth?  First, ask Mother.  Tell her you’ll put a drip catcher on the floor.  And don’t start the fire yourself.

If Mother is tired, Why Not Fix Your Own Lunch?  Spread peanut butter on bread.  Put a slice of ham in-between.  Spread peanut butter on rye bread.  Put crisp bacon in between.  Spread peanut butter on crackers. Top with marshmallow.  Broil.

Well, possibly not broil.

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Booked For Christmas – Have Yourself a Golden Little Christmas

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Top to bottom:  Rudolph the Red-nosed Reindeer, retold by Barbara Shook Hazen, illustrated by Richard Scarry.  Golden Press, New York, 1958.  Fifteenth printing.  Frosty the Snow Man, retold by Annie North Bedford, illustrated by Corinne Malvern.  Golden Press, New York.  Apparent 1st printing.  The Night Before Christmas, by Clement C. Moore, illustrated by Corinne Malvern.  Golden Press, New York,1949.  Apparent first printing.  The Night Before Christmas, Clement C. Moore, illustrated by Zillah Lesko, Whitman Publishing, Racine, Wisconsin, 1953. Apparent first printing.

If you are of a certain age – and lets face it, you are – then chances are high that many of your early childhood books came from the grocery store.  Viewed from the skin-pinching seat of the steel wire shopping cart,  the shiny, colorful cardboard covers of Little Golden Books shimmered like lures in the dull lake of cans and cartons.  I had forgotten how the bright faces of animals and princesses, planes and astronauts, beckoned as we wheeled past displays shaped like school houses and trains, and into the canned soup aisle.  I had not forgotten the books themselves – no, never the books, whose artwork I trust like a Rohrschach test of childhood memory – but the circumstances, their mundane surroundings.  “Good behavior” might turn a visit to the grocery store into a trip to Sleeping Beauty Land or the Forest of Little Red Riding Hood.  “Good behavior,” such as not biting your sister, or pestering Mom.  Only 29 cents would do it.  They certainly had my mother’s number.

Golden Legacy is the fascinating and richly illustrated history which reminded me of the tempting book displays, and bribes promised to placated us long enough for Mom to get the shopping done.  Behind the cyan skies, pine green forests, and red nosed reindeer labored writers and illustrators at the very top of their game, positioned by visionary educators and entrepreneurs to become a phenomenon in the world of juvenile publishing.  I’m still at the ogling-pictures-stage in my reading, but even the captions reveal a tale of eccentric, determined professionals, confident in their talent, intent on recognition, and getting paid what they deserved.  (Remind you of anyone?)

Next to a random whiff of Tabac or the jingle of silver bracelets jostling along a wrist, there is no more reliable homing beacon from my earliest childhood than distinctive covers of these books, even if the brand is different.  Hundreds of titles eventually circulated through the catalog of slim little volumes like a wonderful storybook slot machine, too many to consciously remember.  I don’t bother to try.  As I shuffle through a stiff stack of chippy used Golden Books at a garage or library sale, I can tell from the warm feeling in my tummy if I am holding book we had or not.  I don’t bother to ask the price either, though I do have my limits.  More often then not, I can add to my little group of long-lost friends for a shiny quarter or two.  Even a dollar is not too high, to bring such a dear, and loyal companion home again, this time for good.

Oh, did I mention I have an extra copy of the Hazen/Scarry Golden Book Rudolph?  It really is the best version, better than the original, if you want to know what I think.  With over 300 children’s books to his credit,  Richard Scarry was The Man.  Soooo, if your comment is the very first one, I will send it to you!

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